As a whole, the result leaves a certain taste of reluctance, we place the characters there and the 3D engine moves them without further ado, regardless of the importance of the situation.Īnd finally, his way of telling the story, especially since part of the script is based on somewhat absurd time jumps, a disconcerting copy of Assassin’s Creed difficult to follow, which makes you lose the thread – along with the language barrier – by leaps and bounds. Being a game that should produce fear, those scenes with expressionless characters, insipid audios and empty conversations are not understood. Visually the game has a good level of detail. A mouse click that having seen systems like Mass Effect 2 or even Dead Space 2 seems insufficient at this point. Its system is traced back to the one that Silent Hill 2 made fashionable in its day run, dodge, block and hit with knives at the start and firearms later. Unfortunately, beyond its very long scenes in which they explain the story, we will not find mechanics that really hook the player.ĭespite their mistakes, action situations are intense and if you get used to the control system, you may be interested in moving forward to discover how everything originatedįirst of all because of the combat sequences: you either love them or you hate them. The nightmares suffered by the few who are still standing set in motion our protagonist, a psychiatrist who treats the survivors. Why? You only have to play 30 minutes to realize that the people behind you, the Polish studio Intoxicate Studios, were in a “something” in a hurry to get it out and they focused on the graphic section – which by the way is not bad at all – and they ignored everything else, a serious mistake that ruins every effort to make AfterFall: Insanity an alternative to consider.Īrgumentally, the game is set in the year 2035, in an apocalyptic future in which the few that have survived live in small capsules and facilities. The influences of Fallout in the plot and Dead Space in the gameplay are more than evident, but the end result has not been anywhere near as satisfactory.

However, as in this case, sometimes many of these productions seem more concerned with copying successful mechanics and settings rather than creating something really interesting of their own. This is where AfterFall: Insanity must be located, a game that is part of the varied offer of survivals willing to contribute their grain of sand at a time when surrealism and eccentricity know no limits. And the rest have not only gotten into it, but have evolved the basic lines set by Alone In the Dark, mixing a gloomy setting with action, puzzles, a script and, above all, liters and liters of blood and guts. But now everything is different, some have become much more arcade and have lost some of their identity in pursuit of the general public. Except for the well-known Resident Evil and Silent Hill, no one dared with the genre.

Afterfall insanity ending